[…] »Bound by Law« ist ein Law-Comic von Keith Aoki, James Boyle und Jennifer Jenkins, der 2006 erschienen ist und es zu einiger Berühmtheit gebracht hat. Trauriger Anlass, gerade jetzt drauf hinzuweisen, ist der Tod von Keith Aoki im Alter von 55 Jahren am 26. April 2011. Seine Mitautoren haben ihm wunderbare Nachrufe geschrieben.1 Aoki war wohl zuerst Künstler – Zeichner, Maler, Musiker – und wurde dann Jurist. Er muss ein begeisternder Lehrer gewesen sein. Das vermittelt das Bild »Now THAT is how you teach a class«: […]
[…] »Bound by Law« ist ein Law-Comic von Keith Aoki, James Boyle und Jennifer Jenkins, der 2006 erschienen ist und es zu einiger Berühmtheit gebracht hat. Trauriger Anlass, gerade jetzt drauf hinzuweisen, ist der Tod von Keith Aoki im Alter von 55 Jahren am 26. April 2011. Seine Mitautoren haben ihm wunderbare Nachrufe geschrieben. [1.RIP, Keith Aoki; Jennifer Jenkins Remembers Keith Aoki.] Aoki war wohl zuerst Künstler – Zeichner, Maler, Musiker – und wurde dann Jurist. Er muss ein begeisternder Lehrer gewesen sein. Das vermittelt das Bild »Now THAT is how you teach a class«: […]
In June of 2022 a man called Blake Lemoine told reporters at The Washington Post that he thought the computer system he worked with was sentient.[i] By itself, that does not seem strange. The Post is one of the United States’ finest newspapers and its reporters are used to hearing from people who think that the CIA is attempting to read their brainwaves or that prominent politicians are running a child sex trafficking ring from the basement of a pizzeria.[ii] (It is worth noting that the pizzeria had no basement.) But Mr. Lemoine was different; For one thing, he was not some random person off the street. He was a Google engineer. Google has since fired him. For another thing, the “computer system” wasn’t an apparently malevolent Excel program, or Apple’s Siri giving replies that sounded prescient. It was LaMDA, Google’s Language Model for Dialogue Applications[iii]—that is, an enormously sophisticated chatbot. Imagine a software system that vacuums up billions of pieces of text from the internet and uses them to predict what the next sentence in a paragraph or the answer to a question would be.
My new book, The Line: AI and the Future of Personhood, will be published by MIT Press on Oct 22 2024 under a Creative Commons License. MIT is allowing me to post preprint excerpts. The book is a labor of (mainly) love — together with the familiar accompanying authorial side-dishes: excited discovery, frustration, writing block, self-loathing, epiphany, and massive societal change that means you have to rewrite everything. So just the usual stuff. It is not a run-of-the-mill academic discussion, though. For one thing, I hope it is readable. It might even occasionally make you laugh. For another, I will spend as much time on art and constitutional law as I do on ethics, treat movies and books and the heated debates about corporate personality as seriously as I do the abstract philosophy of personhood. These are the cultural materials with which we will build our new conceptions of personhood, elaborate our fears and our empathy, stress our commonalities and our differences. To download the first two chapters, click here.
There are a few useful phrases that allow one instantly to classify a statement. For example, if any piece of popular health advice contains the word “toxins,” you can probably disregard it. Other than, “avoid ingesting them.” Another such heuristic is that if someone tells you “I just read something about §230..” the smart bet is to respond, “you were probably misinformed.”
I teach at Duke University, an institution I love. The reverse may not be true however, at least after my most recent paper (with Jennifer Jenkins) — Mark of the Devil: The University as Brand Bully. (forthcoming in the Fordham Intellectual Property and Entertainment Law Journal). The paper is about the university most frequently accused of being a “trademark bully” — an entity that makes assertions and threats far beyond what trademark law actually allows, something that is all too common, with costs to both competition and free speech. Unfortunately, that university is our own — Duke.
The Economist was kind enough to ask me to write an article commemorating the 50th anniversary of Garrett Hardin’s Tragedy of the Commons. ““THE ONLY way we can preserve and nurture other and more precious freedoms is by relinquishing the freedom to breed.” This ominous sentence comes not from China’s one-child policy but from one of the 20th century’s most influential—and misunderstood—essays in economics. “The tragedy of the commons”, by Garrett Hardin, marks its 50th anniversary on December 13th.” Read the rest here.
I am posting here a draft of a chapter for Ruth Okediji’s forthcoming book on the possibilities of international intellectual property reform. In my case, the article recounts the lessons I learned from being part of the Hargreaves Review of Intellectual Property in the UK.
“In the five months we have had to compile the Review, we have sought never to lose sight of David Cameron’s “exam question”. Could it be true that laws designed more than three centuries ago with the express purpose of creating economic incentives for innovation by protecting creators’ rights are today obstructing innovation and economic growth? The short answer is: yes. We have found that the UK’s intellectual property framework, especially with regard to copyright, is falling behind what is needed. Copyright, once the exclusive concern of authors and their publishers, is today preventing medical researchers studying data and text in pursuit of new treatments. Copying has become basic to numerous industrial processes, as well as to a burgeoning service economy based upon the internet. The UK cannot afford to let a legal framework designed around artists impede vigorous participation in these emerging business sectors.” Ian Hargreaves, Foreword: Hargreaves Review (2011)
Duke’s Center for the Study of the Public Domain is announcing the publication of Intellectual Property: Law & the Information Society—Cases and Materials by James Boyle and Jennifer Jenkins. This book, the first in a series of Duke Open Coursebooks, is available for free download under a Creative Commons license. If you do not want to use the entire casebook you can view and download the individual chapters (in a variety of formats) here. It can also be purchased in a glossy paperback print edition for $29.99, $130 cheaper than other intellectual property casebooks.
We are posting excerpts from our new coursebook Intellectual Property: Law and the Information Societywhich will be published in two weeks is out now! It will be is of course freely downloadable, and sold in paper for about $135 less than other casebooks. (And yes, it will include discussions of whether one should ever use the term “intellectual property.” ) The book is full of practice examples.. This is one from Chapter One, on the theories behind intellectual property: “What if you came up with the idea of Fantasy Football?” No legal knowledge necessary. Why don’t you test your argumentative abilities…?
Today, we are proud to announce the publication of our 2014 Intellectual Property Statutory Supplement as a freely downloadable Open Course Book. It offers the full text of the Federal Trademark, Copyright and Patent statutes (including edits detailing the changes made by the America Invents Act.) It also has a number of important international treaties and a chart which compares the various types of Federal intellectual property rights — their constitutional basis, subject matter, length, exceptions and so on.You can see it here in print, or download it for free, here.
This is the fourth in a series of postings of material drawn from our forthcoming, Creative Commons licensed, open coursebook on Intellectual Property. It is about lawyers and language.
Macaulay’s 1841 speech to the House of Commons on copyright law is often cited and not much read. In fact, the phrase “cite unseen” gains a new meaning. That is a shame, because it is masterful. (And funny.) One fascinating moment? When Macaulay warns that copyright maximalism will lead to a future of rampant illegality, as all happily violate a law that is presumed to have lost all moral legitimacy.
At present the holder of copyright has the public feeling on his side. Those who invade copyright are regarded as knaves who take the bread out of the mouths of deserving men. Everybody is well pleased to see them restrained by the law, and compelled to refund their ill-gotten gains. No tradesman of good repute will have anything to do with such disgraceful transactions. Pass this law: and that feeling is at an end. Men very different from the present race of piratical booksellers will soon infringe this intolerable monopoly. Great masses of capital will be constantly employed in the violation of the law. Every art will be employed to evade legal pursuit; and the whole nation will be in the plot… Remember too that, when once it ceases to be considered as wrong and discreditable to invade literary property, no person can say where the invasion will stop. The public seldom makes nice distinctions. The wholesome copyright which now exists will share in the disgrace and danger of the new copyright which you are about to create.
The legal change he thought would do that? Extending copyright to the absurd length of life plus 50 years. (It is now life plus 70). Ah, Thomas, if only you could have been there for the Sonny Bono Term Extension debates.
Jennifer Jenkins and I are frantically working to put together a new open casebook on Intellectual Property Law. (It will be available, in beta version, this Fall under a CC license, and freely downloadable in multiple formats of course. Plus it should sell in paper form for about $130 less than the competing casebooks. The accompanying statutory supplement will be 1/5 the price of most statutory supplements — also freely downloadable.) More about that later. While assembling the materials for a casebook, one gets to revisit the archives, reread the great writers. Today I was revisiting Victor Hugo. Hugo was a fabulous — inspiring, passionate — proponent of the rights of authors, and the connection of those rights to free expression and free ideas.
Today is the second day of “Copyright Week!” Talk about a lede. That sentence has all the inherent excitement of “Periodontal Health Awareness Week” or “‘Hug Your Proctologist! No, After He’s Washed His Hands’ Week.” And that’s a shame. Copyright Week is a week devoted to our relationship with our own culture. Hint: things aren’t going well. The relationship is on the rocks.
Academics (and others) arrange conferences. Perfectly normal people are invited to those conferences to speak. Most of them are just as charming as can be… but then there are the special ones. This Top 10 List of the special people one has to respond to is devoted to all conference planners everywhere. Hold your heads up high. After this, purgatory should be a snap.
August 28th, 2013 is the 50th anniversary of Martin Luther King’s “I Have a Dream” speech. The copyright in the speech is administered by EMI, with the consent of the King family. Thus the speech may not be freely played on video or reproduced and costlessly distributed across the nation — even today. Its transient appearance depends on the copyright owner’s momentary sufferance, not public right. It may disappear from your video library tomorrow. It has even been licensed to advertise commercial products, including cars and mobile phone plans.
Aaron Swartz committed suicide last week. He was 26, a genius and my friend. Not a really good friend, but someone I had worked with off and on for 11 years, liked a lot, had laughed with frequently, occasionally shaken my head over and deeply admired.
An Intellectual Property System for the Internet Age
James Boyle
In November 2010, the Prime Minister commissioned a review of the Britain’s intellectual property laws and their effect on economic growth, quoting the founders of Google that “they could never have started their company in Britain” because of a lack of flexibility in British copyright.. Mr. Cameron wanted to see if we could have UK intellectual property laws “fit for the Internet age.” Today the Review will be published. Its conclusion? “Could it be true that laws designed more than three centuries ago with the express purpose of creating economic incentives for innovation by protecting creators’ rights are today obstructing innovation and economic growth? The short answer is: yes.” Those words are from Professor Ian Hargreaves, head of the Review. (Full disclosure: I was on the Review’s panel of expert advisors.)
A slideshow and downloadable book remembering Keith in words and pictures. You can order a glossy, high quality copy of the book itself here from Createspace or here from Amazon. We tried to make it as beautiful as something Keith would create. We failed. But we came close; have a look at how striking it is… all because of Keith’s art.
[…] »Bound by Law« ist ein Law-Comic von Keith Aoki, James Boyle und Jennifer Jenkins, der 2006 erschienen ist und es zu einiger Berühmtheit gebracht hat. Trauriger Anlass, gerade jetzt drauf hinzuweisen, ist der Tod von Keith Aoki im Alter von 55 Jahren am 26. April 2011. Seine Mitautoren haben ihm wunderbare Nachrufe geschrieben.1 Aoki war wohl zuerst Künstler – Zeichner, Maler, Musiker – und wurde dann Jurist. Er muss ein begeisternder Lehrer gewesen sein. Das vermittelt das Bild »Now THAT is how you teach a class«: […]
[…] »Bound by Law« ist ein Law-Comic von Keith Aoki, James Boyle und Jennifer Jenkins, der 2006 erschienen ist und es zu einiger Berühmtheit gebracht hat. Trauriger Anlass, gerade jetzt drauf hinzuweisen, ist der Tod von Keith Aoki im Alter von 55 Jahren am 26. April 2011. Seine Mitautoren haben ihm wunderbare Nachrufe geschrieben. [1.RIP, Keith Aoki; Jennifer Jenkins Remembers Keith Aoki.] Aoki war wohl zuerst Künstler – Zeichner, Maler, Musiker – und wurde dann Jurist. Er muss ein begeisternder Lehrer gewesen sein. Das vermittelt das Bild »Now THAT is how you teach a class«: […]